
The chief narrative focus of the mise en scene is the movie magazine of terminator salvation, which is the fourth sequel of the terminator series. This magazine was released in 2009, the same time the film was distributed to the public, which is an ideal idea of making money while the 'buzz' is still being created.
'Terminator Salvation' is the title of the film and the theme of the magazine. The typography connotes caution and danger as the texts has a rusty metal effect that links in with the main image. San serif fonts have been used to create the masthead to connote prominence and attention, as this is not like any other masthead, making it become more unique and stylish, connoting a more modern feel. The masthead is situated on the right hand side of the magazine, as well as the main image, allowing space for the cover lines and its images that are linked to each over. The masthead has a mixture of colours containing blue, white and grey connoting a rough earthly feeling. This aspect then breaks the stereotype of magazine mastheads being red as it is quite a common feature, but this does make the masthead stand out from everything else. The masthead has a glowing black outline, creating a background and making the masthead more noticeable to see. ‘They’re back’ connotes the main coverline of the magazine, which is seen in a white bold sans serif font, connoting the new arrival of the robots and other characters featured in the film. Beneath this is a slogan saying ‘The Terminators verses mankind – with only one winner’, this is a short and sharp description of the magazine connoting gesture of which the target audience will understand.
The main image consists of a character from the film photographed at a extreme close up shot. This character must have some huge significance within the film as his face covers three quarters of the page. This character is a CGI, hence all the detail that has been used to emphasise the danger of the character. This use of technology would interest the target audience as it refrains from using the original idea of using actors for the front page. The character is using a direct mode of address, meaning that he is looking at the camera, connoting the need for attention as the red eyes will cause an interest from the target audience. The lighting of this shot is mainly low key as around the skull tends to be quiet dark, whereas the lighting on its face is high key, giving a chance to see its face properly and the detail of the metal. The main background of the magazine cover is a fiery red allowing the main image and other aspects on top of this to stand out on the page. Both the background and the red eyes are fairly the same colour making them become bolder and more eye-catching.
On the left hand side of the magazine, there is a load of information telling us about the content of what the magazine holds. The small text that is positioned at the rear end of the page vertically ‘Terminator Salvation – The Official Souvenir Magazine’ connotes that this could be a part of merchandise, of which the target audience can collect. This text is also positioned at the top of the page in a white bold sans serif font and layered on a red background, making it more noticeable to see. There are also images of the characters within the film that are linked to the coverline ‘cast interviews’, giving more insight on the film and the actors perspective on their whole experience creating it. As this film is a sequel, the magazine reveals the ‘Bad robots – secrets of the new machines’ as stated in one of the coverlines. The target audience would find this appealing as they will be able to see the new technologies that have formed these new ‘bad robots’. Also, two images are revealed showing the new models of different robots that may have been featured in the film, connoting a tease for the target audience to purchase this media product so that they can see the content inside. The coverline ‘Making the movie’ is in a yellow sans serif font with a black shadow which stands out from the rest of the coverlines connoting attention, giving an insight as to the creation of how this movie was put together. The barcode is situated at the bottom right hand side of the magazine where the price is also revealed in Australian & New Zealand Dollars, of where this magazine could have been sold. This would be purchased though it’s inheritance factor and the social classification of the target audience would be between C2-E as the magazine is targeted to lovers of action and science fiction movies, especially from those who have watched the previous sequels.










